Browse "Business & Economics"

IN THE FALL OF 1961, John F. Kennedy was under intense pressure to ramp up the U.S. presence in Vietnam from a few thousand military "advisers" to a full combat force of more than 200,000 troops. The proposal came from Secretary of Defense Robert McNamara.This article was originally published in Maclean's Magazine on January 31, 2005

Brandt Louie, business tycoon, philanthropist (born 5 July 1943 in Vancouver, BC). Louie is the president of the H.Y. Louie Company, a business started by his grandfather in 1903 that now includes London Drugs Ltd. and the IGA grocery store chain. In 2017, Louie was listed as Canada’s 47th richest person in Canadian Business magazine’s annual ranking, with an estimated fortune of $2.1 billion. Louie is a recipient of the Queen Elizabeth II Golden Jubilee Medal and a Member of the Order of British Columbia.

This article was originally published in Maclean’s magazine on March 25, 2002. Partner content is not updated. In the days before business plans and vision statements, Vancouver shopkeeper Hok Yat Louie wrote, in his native Chinese, a series of letters to his sons. It was 1934 and, in failing health, he'd returned for the first time in 38 years to his birthplace in south China's Pearl River Delta.

This article was originally published in Maclean’s magazine on June 13, 2005. Partner content is not updated. IS MICHAEL de GUZMAN DEAD OR ALIVE? Eight years after the Bre-X Minerals fraud was uncovered, the fate of its central figure still haunts us. Last month, it seemed, he briefly stepped out from the shadows. And just like that, he was gone again.

Descendants of Russian immigrant tobacco farmer Yechiel (Ekiel) Bronfman and his wife, Mindel, members of the Bronfman family have owned and controlled huge financial empires built from the profits of the family liquor business (see Seagram). The best-known members of the family are Samuel Bronfman, founder of Seagram and president of the Canadian Jewish Congress (1939–62), and his descendants. Samuel’s wife, Saidye Rosner Bronfman, was an influential philanthropist who supported the arts in Canada and was awarded the Order of the British Empire for organizing work on the home front during the Second World War. Sons Edgar and Charles Bronfman ran Seagram for decades, while grandson Edgar Miles Bronfman Jr. oversaw the sale of Seagram to Vivendi. Charles was also co-founder of the Historica Foundation of Canada and Heritage Minutes, as well as chairman and principal owner of the Montreal Expos. His sister Phyllis Lambert is a well-known architect who founded the Canadian Centre for Architecture. Their cousins, Edward and Peter Bronfman (sons of Allan Bronfman), developed a financial empire in their own right. The family has given generously to several charitable organizations and been involved in the Canadian Jewish Congress and World Jewish Congress. 

This article was originally published in Maclean’s magazine on April 17, 1995. Partner content is not updated. Former film-maker Edgar Bronfman Jr. showed last week that he still has a flair for the dramatic. Investors and analysts were kept on the edge of their seats as the 39-year-old chief executive of Seagram Co. Ltd.

This article was originally published in Maclean’s magazine on May 25, 1998. Partner content is not updated. Montreal's Bronfman family is no stranger to controversy. After arriving in Canada from Russia in the 1890s, they made a fortune outrunning federal tax collectors and selling whisky to American mobsters. The next generation made headlines tussling over control of the family firm, Seagram Co. Ltd.

Byron Ingemar Johnson, "Boss," businessman, politician, premier of BC 1947-52 (b at Victoria 10 Dec 1890; d there 12 Jan 1964). After service in WWI, Johnson and his brothers formed a building supply company in Victoria. Elected as a Liberal in Victoria in 1933, he was defeated in 1937.

Camille Henri Thériault, politician, businessman, premier of New Brunswick 1998-1999 (born 25 February 1955 in Baie-Sainte-Anne, NB). Thériault served in the Cabinet of Liberal Premier Frank McKenna before briefly taking a turn as premier himself. After politics, he was chair of the Canadian Transportation Accident Investigation and Safety Board, and served as CEO of the Mouvement des caisses populaires acadiennes.

This article was originally published in Maclean’s magazine on May 8, 2006. Partner content is not updated.

Canada’s Walk of Fame is a non-profit organization dedicated to honouring Canadians who have achieved excellence in the fields of arts and entertainment, science and technology, business, philanthropy and athletics. Modelled after the Hollywood Walk of Fame, it stretches along 13 city blocks in Toronto’s Entertainment District. Each inductee’s name and signature are etched onto a plaque embedded on the sidewalk, along with a star resembling a maple leaf. Inductees are honoured at an annual, nationally broadcast gala in Toronto. More than 210 people have been inducted since the Walk was founded in 1998.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distributionand exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop. This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Regional Cinema and Auteurs, 1980 to Present.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop. This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Filmmaking is a powerful form of cultural and artistic expression, as well as a highly profitable commercial enterprise. From a practical standpoint, filmmaking is a business involving large sums of money and a complex division of labour. This labour is involved, roughly speaking, in three sectors: production, distribution and exhibition. The history of the Canadian film industry has been one of sporadic achievement accomplished in isolation against great odds. Canadian cinema has existed within an environment where access to capital for production, to the marketplace for distribution and to theatres for exhibition has been extremely difficult. The Canadian film industry, particularly in English Canada, has struggled against the Hollywood entertainment monopoly for the attention of an audience that remains largely indifferent toward the domestic industry. The major distribution and exhibition outlets in Canada have been owned and controlled by foreign interests. The lack of domestic production throughout much of the industry’s history can only be understood against this economic backdrop. This article is one of four that surveys the history of the film industry in Canada. The entire series includes: Canadian Film History: 1896 to 1938; Canadian Film History: 1939 to 1973; Canadian Film History: 1974 to Present; Canadian Film History: Notable Films and Filmmakers 1980 to Present.

Charles Alexander Allard, businessman, medical doctor (b at Edmonton 19 Nov 1919; d 11 Aug 1991). Allard graduated in medicine from University of Alberta in 1943. From 1955 until 1969 he was a surgeon and then chief surgeon at the General Hospital in Edmonton.