Macleans
Drabinsky Moves to the Back Row
Garth Drabinsky should be used to it by now. He makes a decision, or launches a new venture, or sees a company under his command overhauled in one of those headline-grabbing power plays that have become as much a Drabinsky trademark as mega-musicals like Show Boat and Ragtime.This article was originally published in Maclean's Magazine on April 27, 1998