Browse "Culture"
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Belfry Theatre
The Belfry's history began in 1974, when University of Victoria graduate student Blair Shakel started making theatrical use of the unheated Springridge Chapel of the Emmanuel Baptist Church in the heart of the ailing Fernwood neighbourhood.
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Belgian Music in Canada
European country whose musicians have made a significant contribution to the musical life of Canada, especially in the field of instrumental music.
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Big Country Awards
Big Country Awards. They were established in 1975 by Walt Grealis and Stan Klees of RPM magazine in conjunction with the Canadian Academy for Country Music Advancement (later ACME, see CCMA). Held annually 1975-81, they were supplanted in 1982 by the CCMA Awards but revived in 1985 by RPM.
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Billy Bishop Goes to War
Billy Bishop Goes to War is a musical written by John MacLachlan Gray with Eric Peterson about the exploits of First World War flying ace William Avery "Billy" Bishop. Since its premiere in 1978, the musical has been staged across Canada and in the United States and Europe. It remains one of the most popular Canadian musicals.
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Birch-Bark Biting
Birch-bark biting is the art of dentally perforating designs on intricately folded sheets of paper-thin bark. Traditionally, the technique is known to have been practised by Ojibwe (or Chippewa), Cree and other Algonquian peoples who used birchbark extensively in fabricating domestic containers, architectural coverings, canoes and pictographic scrolls. Indigenous artists have kept the practice alive in spite of colonial efforts to culturally assimilate Indigenous peoples into Canadian society. (See also History of Indigenous Art in Canada and Contemporary Indigenous Art in Canada.)
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Birchbark Etching
Birchbark etching is a traditional cultural practice used by some Indigenous peoples in Canada, including the Dene, Anishinaabe and nations in the Wabanaki Confederacy (see also Mi’kmaq; Wolastoqiyik (Maliseet); Abenaki). Some functional vessels such as baskets and bowls were adorned with cultural iconography and floral motifs, though not all. During the 19th century, narrative-driven storytelling began to appear on the surface of functional birchbark objects. Some of these objects were sold as souvenirs to European settlers or visitors. The practice was in decline for much of the 20th century. However, the sustained efforts of artists and makers led to its reestablishment around the turn of the 21st century. Since then, birchbark etching has undergone a series of profound changes. It now appears in contemporary fashion, jewellery design, cosplay, fine art and more. The practice is also prevalent among major Indigenous art markets, fairs and competitions. Today, birchbark etching has become a strong example of Indigenous cultural renewal in Canada.
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Black Canadian Theatre
With the emergence of the Black Theatre Workshop in the late 1960s, Black theatre began to flourish across Canada, providing dynamic venues for the work of Black playwrights, directors, and actors.
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African Music in Canada
The 2006 census recorded more than 250,000 persons of African origin in Canada.
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Black Theatre Workshop
The TTA set up a dramatic committee that organized public readings of plays by Earl Lovelace, Errol John and Derek Walcott (Nobel laureate 1993).
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Bollywood in Canada
Bollywood, a playful word derived from Hollywood and the city of Bombay, refers specifically to the Hindi-language films produced in Mumbai (formerly Bombay), India, the city known as the heart of the South Asian film industry.
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Macleans
Book Review: Atwood's <book>Oryx and Crake</book>
ARS LONGA, VITA BREVIS. The Roman poet Horace's familiar words, that life is short but art is forever, have been a writer's maxim for 2,000 years.This article was originally published in Maclean's Magazine on April 28, 2003
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Broadcasting
IntroductionBroadcasting. Vast distances and the isolation of communities have posed major problems for Canada. Radio and TV therefore have contributed immensely to the nation's cultural life, particularly radio in the case of music.
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Bye Bye Blues
Daisy has to make her way in a man's world, trying to keep body and soul together, discovering at the same time that she takes pleasure in performing. And here Rebecca Jenkins shines.
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Macleans
Calgary Stampede 90th Anniversary
Rod Warren remembers vividly the first time he competed professionally at the Calgary Stampede. It was 1989 and Warren, a 21-year-old greenhorn from the northern Alberta community of Valleyview, found himself in the company of riders he had idolized while growing up.This article was originally published in Maclean's Magazine on July 1, 2002
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