Browse "Entertainment"
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Article
Blue Rodeo
Blue Rodeo, a rock group, was formed in 1984 by high school friends and songwriters Jim Cuddy and Greg Keelor. After playing as the high-energy pop group the HiFi's and the New York-based Fly to France, Cuddy and Keelor returned to Toronto and recruited self-taught jazz pianist Bobby Wiseman, bass guitarist Bazil Donovan, and drummer Cleave Anderson. Beginning in clubs along their hometown's Queen Street, Blue Rodeo delivered a melodic blend of folk, rock and country marked by Beatle-esque harmonies.
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Article
Blue Rodeo
Its affinity for the "roots music" styles of US pop - country, rockabilly, and folk-rock, as well as rock 'n' roll - initially drew Blue Rodeo comparisons to The Band and gave it both a populist and critical appeal.
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Macleans
Blue Rodeo (Profile)
Jim Cuddy hears the music. I see the grotty stairwell. Standing in the open doorway amid the stacks of cardboard boxes and equipment cases, he slaps his palms together and cocks his head for the echo that stretches thin above us.This article was originally published in Maclean's Magazine on July 15, 2002
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Article
Boîtes à chansons
Boîtes à chansons. Name given to the intimate rooms which sprang up in the mid-1950s outside the normal entertainment circuits and in which most young Quebec chansonniers made their start.
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Bollywood in Canada
Bollywood, a playful word derived from Hollywood and the city of Bombay, refers specifically to the Hindi-language films produced in Mumbai (formerly Bombay), India, the city known as the heart of the South Asian film industry.
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Bon Cop Bad Cop
A comedy cop thriller directed by Érik Canuel, the film Bon Cop Bad Cop opened in Québec theatres on August 4, 2006.
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Boss Brass
Boss Brass. Toronto jazz orchestra (big band) led by Rob McConnell. It was formed in 1968 as a 16-piece band composed of the city's leading studio musicians to record arrangements of pop songs of the day for CTL.
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Broadcasting
IntroductionBroadcasting. Vast distances and the isolation of communities have posed major problems for Canada. Radio and TV therefore have contributed immensely to the nation's cultural life, particularly radio in the case of music.
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Broken Social Scene
Broken Social Scene is a Toronto indie rock band formed in Toronto by core members Kevin Drew and Brendan Canning in 1999. They recorded their primarily instrumental album Feel Good Lost with help from a handful of friends.
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Article
Broken Social Scene
Broken Social Scene is an indie rock band formed in Toronto by core members Kevin Drew and Brendan Canning in 1999. They recorded their primarily instrumental album Feel Good Lost with help from a handful of friends. It was released in 2001 and more people were added to fill out its sounds on stage.
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Brunswick String Quartet
Brunswick String Quartet. Quartet-in-residence until 1989 at the University of New Brunswick. It was formed in 1970 with the assistance of the Canada Council as the University of New Brunswick Pach String Quartet.
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BTO
BTO, Bachman-Turner Overdrive, rock band including Robin Bachman, Randy Bachman, Blair Thornton and Fred Turner. They were internationally popular during the mid-1970s. BTO's third album Not Fragile, spawned the million-selling single "You Ain't Seen Nuthin' Yet.
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Article
Buddies in Bad Times Theatre
Buddies in Bad Times was incorporated in 1979 by Jerry Ciccoritti and Gilbert, who became the company's first artistic director. Its first production was Gilbert's Angels in Underwear, in which Walsh played Jack Kerouac and Ciccoritti played Allen Ginsberg.
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Bye Bye Blues
Daisy has to make her way in a man's world, trying to keep body and soul together, discovering at the same time that she takes pleasure in performing. And here Rebecca Jenkins shines.
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Macleans
Calgary Stampede 90th Anniversary
Rod Warren remembers vividly the first time he competed professionally at the Calgary Stampede. It was 1989 and Warren, a 21-year-old greenhorn from the northern Alberta community of Valleyview, found himself in the company of riders he had idolized while growing up.This article was originally published in Maclean's Magazine on July 1, 2002
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